"Break a leg" is an English-language idiom used in the context of theatre or other performing arts to wish a performer "good luck". An ironic or non-literal saying of uncertain origin (a dead metaphor), "break a leg" is commonly said to actors and musicians before they go on stage to perform or before an audition. Though a similar and potentially related term exists in German without theatrical associations, the English expression with the luck-based meaning is first attributed in the theatre in the 1930s or possibly 1920s.
Origins
Superstition theories
There is anecdotal evidence of this expression from theatrical memoirs and personal letters as early as the 1920s. The urbane Irish nationalist Robert Wilson Lynd published an article, "A Defence of Superstition", in the October 1921 edition of the New Statesman, a British liberal political and cultural magazine, that provides one of the earliest mentions of this usage in English:
The stage is perhaps the most superstitious institution in England, after the racecourse. The latter is so superstitious that to wish a man luck when on his way to a racemeeting is considered unlucky. Instead of saying "Good luck!" you should say something insulting, such as, "May you break your leg!"
Thus, Lynd describes the expression as existing in horse racing, though in the very middle of a paragraph that goes on to discuss the theatre and theatrical superstitions.
Perhaps the earliest published example directly in a theatre context comes from the American writer Edna Ferber's 1939 autobiography A Peculiar Treasure, in which she writes about the theatre and "all the understudies sitting in the back row politely wishing the various principals would break a leg".
The American playwright Bernard Sobel's 1948 The Theatre Handbook and Digest of Plays describes the theatrical superstition that "before a performance actors never wish each other good luck, but say 'I hope you break a leg.'" There are certainly several publications by the 1950s that explain the expression's theatrical meaning. Sources from then onwards contend that the expression reflects a superstition that directly wishing a performer "good luck" would be considered bad luck or an unintentional jinxing, therefore an alternative, ironic, or opposite-sounding way of wishing luck emerged. The exact reason why the expression focuses on a bone fracture or a leg, however, remains uncertain.
German aviation theory
A phrase with a similar meaning appears in the German language by World War I or, at the latest, World War II, during the early days of aviation: Hals- und Beinbruch, literally "neck and leg(bone) break" or, essentially, "may you break your neck and leg". For example, Luftwaffe pilots are reported as using the phrase Hals- und Beinbruch to wish each other luck. Thus, perhaps this term emerged in English as a direct translation of the German expression.
The origin of the German phrase is also mysterious, possibly a pun or borrowing from the Yiddish theatre. Yiddish contains a phonetically similar phrase that more literally wishes the listener good luck (Yiddish: הצלחה און ברכה, romanized: hatsloche un broche, lit. 'success and blessing', itself from Hebrew: hatzlacha u-bracha).
If the German expression is indeed related to the English one, a proposed progression is that the phrase transferred from German aviation to German society at large and then, as early as the 1920s but certainly the 1930s, into the American (or British and then American) theatre. The English-language adoption of this term is plausibly explained by German-speaking Jewish immigrants entering the American entertainment industry after the First World War.
Other suggested but implausible theories
The performer bowing: The term "break a leg" may refer to a performer bowing or curtsying to the audience in the metaphorical sense of bending one's leg to do so.
The performer breaking the leg line: The edge of a stage just beyond the vantage point of the audience forms a line, imaginary or actually marked, that can be referred to as the "leg line", named after a type of concealing stage curtain: a leg. For an unpaid stand-by performer to cross or "break" this line would mean that the performer was getting an opportunity to go onstage and be paid; therefore, "break a leg" might have shifted from a specific hope for this outcome to a general hope for any performer's good fortune. Even less plausible, the saying could originally express the hope that an enthusiastic audience repeatedly calls for further bows or encores. This might cause a performer to repeatedly "break" the leg line, or, alternatively, it might even cause the leg curtains themselves to break from overuse.
Allusion to David Garrick: During a performance of Shakespeare's Richard III, the famed 18th-century British actor David Garrick became so entranced in the performance that he was supposedly unaware of a literal fracture in his leg.
Audience chair legs: Various folk-theories propose that Elizabethan or even Ancient Greek theatrical audiences either stomped their literal legs or banged chair legs to express applause.
Allusion to John Wilkes Booth: One popular etymology derives the phrase from the 1865 assassination of Abraham Lincoln, during which John Wilkes Booth, the actor-turned-assassin, claimed in his diary that he broke his leg leaping to the stage of Ford's Theatre after murdering the president. The fact that actors did not start wishing each other to "break a leg" until as early as the 1920s (more than 50 years later) makes this an unlikely source. Furthermore, Booth often exaggerated and falsified his diary entries to make them more dramatic.
Alternative meanings
There is an older, likely unrelated meaning of "break a leg" going back to the 17th and 18th centuries that refers to having "a bastard / natural child".
Alternative terms
Professional dancers do not wish each other good luck by saying "break a leg;" instead they exclaim merde, the French word for "shit". In turn, theater people have picked up this usage and may wish each other merde alone or in combination with "break a leg". In Spanish, the phrase is mucha mierda, or "lots of shit". In Portuguese, it's muita merda, with the same meaning. This term refers to the times when carriages would take the audience to the theatre. A quick look to the street in front of the venue would tell if the play was successful: a lot of horse dung would mean many carriages had stopped to drop off spectators.
Opera singers use Toi toi toi, an idiom used to ward off a spell or hex, often accompanied by knocking on wood, and onomatopoeic, spitting (or imitating the sound of spitting). Saliva traditionally was supposed to have demon-banishing powers. From Rotwelsch tof, from Yiddish tov ("good", derived from the Hebrew טוב and with phonetic similarities to the Old German word for "Devil"). One explanation sees "toi toi toi" as the onomatopoeic rendition of spitting three times. Spitting three times over someone's head or shoulder is a gesture to ward off evil spirits. A similar-sounding expression for verbal spitting occurs in modern Hebrew as "Tfu, tfu" (here, only twice), which some say that Hebrew-speakers borrowed from Russian.
An alternate operatic good luck charm, originating from Italy, is the phrase In bocca al lupo! (In the mouth of the wolf) with the response Crepi il lupo! (May the wolf die).
In Australia, the term 'chookas' has been used also. According to one oral tradition, one of the company would check audience numbers. If there were not many in the seats, the performers would have bread to eat following the performance. If the theatre was full they could then have "chook" —Australian slang for chicken— for dinner. Therefore, if it was a full house, the performer would call out "Chook it is!", which became abbreviated to "Chookas!" It is now used by performers prior to a show regardless of the number of patrons; and may be a wish for a successful turnout.
In Russian, a similar tradition existed for hunters, with one being told Ни пуха, ни пера! (romanized: Ni pukha, ni pera, "Neither fur nor feather") before the hunt, with the reply being К чёрту (romanized: K chiortu, "Go to hell"). Today, this exchange is customary for students before an exam.
In popular culture
Both the 2001 Broadway musical comedy The Producers as well as the 2005 film version of the musical features a song titled "It's Bad Luck To Say 'Good Luck' On Opening Night", in which the novice producer Leo Bloom is instructed that the proper way to wish someone good luck on Broadway is to say "Break a leg". Moments later, the show's star is seen to break his leg—preventing him from performing—and in a later scene he breaks his other leg.
See also
- Knocking on wood
- Spilling water for luck
- The Scottish Play
- Thespis
References
- Urdang, Laurence; Hunsinger, Walter W.; LaRoche, Nancy (1985). Picturesque Expressions: A thematic dictionary (2 ed.). Gale Research. p. 321. ISBN 0-8103-1606-4.
- "Break a Leg". World Wide Words. Retrieved 24 April 2007.
- "Break a Leg origin". Theidioms.com. Retrieved 8 October 2018.
- "A Defense of Superstition". The Living Age. Vol. 311. E. Littell. 1921. p. 427. As published in the New Statesman, 1 October 1921.
- Ferber, Edna (1939). A Peculiar Treasure. Doubleday, Doran & Co. p. 354.
- Sobel, Bernard (1948). The Theatre Handbook and Digest of Plays. Crown Publishers, p. 722.
- Cataland, Victoria (1955). Live Till Tomorrow. United Kingdom: Dutton.
- The Corset and Underwear Review. (1959). United States: Haire Publishing Company.
- Galaxy Magazine: Science Fiction, Volume 15 (1957). United States: UPD Publishing Corporation.
- Libby, Steve (July 1985). "It's a superstitious world: Of black cats, lucky numbers, broken mirrors..." The Rotarian. 147 (1): 30–31. ISSN 0035-838X.
- Peterson, Lenka; O'Connor, Dan (2006). Kids Take the Stage: Helping Young People Discover the Creative Outlet of Theater (2 ed.). Random House Digital. p. 203. ISBN 0-8230-7746-2.
- Helterbran, Valeri R. (2008). Exploring Idioms: A Critical-Thinking Resource for Grades 4–8. Maupin House Publishing. p. 24. ISBN 978-1-934338-14-8.
- Dundes, Alan (1994). "Towards a Metaphorical Reading of 'Break a Leg': A Note on Folklore of the Stage". Western Folklore, 53(1), 85–89. doi:10.2307/1499654
- Partridge, Eric (2003). A Dictionary of Catch Phrases. Ukraine: Taylor & Francis. p. 56.
- Ammer, Christine (2013). The American Heritage Dictionary of Idioms. United States: Houghton Mifflin Harcourt. p. 54.
- Gerhard Langer [in German] (2015). Isabella Guanzini [in German]; Kurt Appel [in German] (eds.). Europa mit oder ohne Religion? (in German). Vol. II. Vandenhoeck & Ruprecht. p. 88. ISBN 9783847005070.
- Hodgson, Charles. (2007). Carnal Knowledge: A Navel Gazer's Dictionary of Anatomy, Etymology, and Trivia. United States: St. Martin's Press. p. 205.
- "Break a leg". phrases.org.uk. 2010. Retrieved 29 March 2010.
- "Theatre Superstitions". Steppenwolf Theatre Company. Archived from the original on 1 October 2006. Retrieved 30 June 2012.
- Londré, F. H., Fisher, J. (2017). Historical Dictionary of American Theater: Modernism. United States: Rowman & Littlefield Publishers. p. 102.
- Dart Harris, Diana (2016). Beginning Musical Theatre Dance. United States: Human Kinetics, Incorporated. p. 80.
- Wilton, Dave. "Break a leg". Word Myths: Debunking Linguistic Urban Legends. Oxford University Press. Retrieved 13 April 2011.
- Tom Dale Keever (18 December 1995). "Richard III as rewritten by Colley Cibber". Primary Texts and Secondary Sources On-line. Richard III Society—American Branch. Archived from the original on 17 March 2013. Retrieved 11 April 2008.
- "Re: Break a Leg". Phrases.org.uk. Retrieved 24 April 2007.
- Kauffman, Michael W. (2004). John Wilkes Booth and the Lincoln Conspiracies. American Brutus. ISBN 0-375-75974-3.
- Martin, Gary. "Break a leg". Word Phrase Finder: Break a leg. The Phrase Finder. Retrieved 3 October 2018.
- McConnell, Joan; McConnell, Teena (1977). Ballet as body language. Harper & Row. ISBN 0-06-012964-6.
- The QI Elves. "No Such Thing As The Ugly Panda". No Such Thing as a Fish. No. 62. Quite Interesting Ltd. Retrieved 7 June 2015.[permanent dead link]
- "Spit Your Way To Safety: Toi, toi, toi!". Forward Association, Inc. 11 February 2009. Retrieved 29 March 2010.
- "Word of the Day / Jook ג׳וק A grisly load from Russian". Haaretz. Haaretz online, 18 August 2013.
- "Chookas!" Archived 8 August 2011 at the Wayback Machine, By Colin Peasley, manager, Education Programme for The Australian Ballet
- ни пуха ни пера!
- Ни пуха ни пера
- Macerena, Vintage.(2019)."The theories and origins of nonsense and tomfoolery in the modern age". Journal of Cultural Reference. Pg 134–136.
External links
- Break a Leg – Glossary of Technical Theatre Terms (With many explanations as to the origins of the term)
- Break a Leg, and Other Good Wishes, by Matthew Alice, in the San Diego Reader.
- Break a Leg by Gary Martin, phrases.org.uk, 1996 – 2006.
- Resource on Ortaoyunu
Break a leg is an English language idiom used in the context of theatre or other performing arts to wish a performer good luck An ironic or non literal saying of uncertain origin a dead metaphor break a leg is commonly said to actors and musicians before they go on stage to perform or before an audition Though a similar and potentially related term exists in German without theatrical associations the English expression with the luck based meaning is first attributed in the theatre in the 1930s or possibly 1920s OriginsSuperstition theories There is anecdotal evidence of this expression from theatrical memoirs and personal letters as early as the 1920s The urbane Irish nationalist Robert Wilson Lynd published an article A Defence of Superstition in the October 1921 edition of the New Statesman a British liberal political and cultural magazine that provides one of the earliest mentions of this usage in English The stage is perhaps the most superstitious institution in England after the racecourse The latter is so superstitious that to wish a man luck when on his way to a racemeeting is considered unlucky Instead of saying Good luck you should say something insulting such as May you break your leg Thus Lynd describes the expression as existing in horse racing though in the very middle of a paragraph that goes on to discuss the theatre and theatrical superstitions Perhaps the earliest published example directly in a theatre context comes from the American writer Edna Ferber s 1939 autobiography A Peculiar Treasure in which she writes about the theatre and all the understudies sitting in the back row politely wishing the various principals would break a leg The American playwright Bernard Sobel s 1948 The Theatre Handbook and Digest of Plays describes the theatrical superstition that before a performance actors never wish each other good luck but say I hope you break a leg There are certainly several publications by the 1950s that explain the expression s theatrical meaning Sources from then onwards contend that the expression reflects a superstition that directly wishing a performer good luck would be considered bad luck or an unintentional jinxing therefore an alternative ironic or opposite sounding way of wishing luck emerged The exact reason why the expression focuses on a bone fracture or a leg however remains uncertain German aviation theory A phrase with a similar meaning appears in the German language by World War I or at the latest World War II during the early days of aviation Hals und Beinbruch literally neck and leg bone break or essentially may you break your neck and leg For example Luftwaffe pilots are reported as using the phrase Hals und Beinbruch to wish each other luck Thus perhaps this term emerged in English as a direct translation of the German expression The origin of the German phrase is also mysterious possibly a pun or borrowing from the Yiddish theatre Yiddish contains a phonetically similar phrase that more literally wishes the listener good luck Yiddish הצלחה און ברכה romanized hatsloche un broche lit success and blessing itself from Hebrew hatzlacha u bracha If the German expression is indeed related to the English one a proposed progression is that the phrase transferred from German aviation to German society at large and then as early as the 1920s but certainly the 1930s into the American or British and then American theatre The English language adoption of this term is plausibly explained by German speaking Jewish immigrants entering the American entertainment industry after the First World War Other suggested but implausible theories The performer bowing The term break a leg may refer to a performer bowing or curtsying to the audience in the metaphorical sense of bending one s leg to do so The performer breaking the leg line The edge of a stage just beyond the vantage point of the audience forms a line imaginary or actually marked that can be referred to as the leg line named after a type of concealing stage curtain a leg For an unpaid stand by performer to cross or break this line would mean that the performer was getting an opportunity to go onstage and be paid therefore break a leg might have shifted from a specific hope for this outcome to a general hope for any performer s good fortune Even less plausible the saying could originally express the hope that an enthusiastic audience repeatedly calls for further bows or encores This might cause a performer to repeatedly break the leg line or alternatively it might even cause the leg curtains themselves to break from overuse Allusion to David Garrick During a performance of Shakespeare s Richard III the famed 18th century British actor David Garrick became so entranced in the performance that he was supposedly unaware of a literal fracture in his leg Audience chair legs Various folk theories propose that Elizabethan or even Ancient Greek theatrical audiences either stomped their literal legs or banged chair legs to express applause Allusion to John Wilkes Booth One popular etymology derives the phrase from the 1865 assassination of Abraham Lincoln during which John Wilkes Booth the actor turned assassin claimed in his diary that he broke his leg leaping to the stage of Ford s Theatre after murdering the president The fact that actors did not start wishing each other to break a leg until as early as the 1920s more than 50 years later makes this an unlikely source Furthermore Booth often exaggerated and falsified his diary entries to make them more dramatic Alternative meaningsThere is an older likely unrelated meaning of break a leg going back to the 17th and 18th centuries that refers to having a bastard natural child Alternative termsProfessional dancers do not wish each other good luck by saying break a leg instead they exclaim merde the French word for shit In turn theater people have picked up this usage and may wish each other merde alone or in combination with break a leg In Spanish the phrase is mucha mierda or lots of shit In Portuguese it s muita merda with the same meaning This term refers to the times when carriages would take the audience to the theatre A quick look to the street in front of the venue would tell if the play was successful a lot of horse dung would mean many carriages had stopped to drop off spectators Opera singers use Toi toi toi an idiom used to ward off a spell or hex often accompanied by knocking on wood and onomatopoeic spitting or imitating the sound of spitting Saliva traditionally was supposed to have demon banishing powers From Rotwelsch tof from Yiddish tov good derived from the Hebrew טוב and with phonetic similarities to the Old German word for Devil One explanation sees toi toi toi as the onomatopoeic rendition of spitting three times Spitting three times over someone s head or shoulder is a gesture to ward off evil spirits A similar sounding expression for verbal spitting occurs in modern Hebrew as Tfu tfu here only twice which some say that Hebrew speakers borrowed from Russian An alternate operatic good luck charm originating from Italy is the phrase In bocca al lupo In the mouth of the wolf with the response Crepi il lupo May the wolf die In Australia the term chookas has been used also According to one oral tradition one of the company would check audience numbers If there were not many in the seats the performers would have bread to eat following the performance If the theatre was full they could then have chook Australian slang for chicken for dinner Therefore if it was a full house the performer would call out Chook it is which became abbreviated to Chookas It is now used by performers prior to a show regardless of the number of patrons and may be a wish for a successful turnout In Russian a similar tradition existed for hunters with one being told Ni puha ni pera romanized Ni pukha ni pera Neither fur nor feather before the hunt with the reply being K chyortu romanized K chiortu Go to hell Today this exchange is customary for students before an exam In popular cultureBoth the 2001 Broadway musical comedy The Producers as well as the 2005 film version of the musical features a song titled It s Bad Luck To Say Good Luck On Opening Night in which the novice producer Leo Bloom is instructed that the proper way to wish someone good luck on Broadway is to say Break a leg Moments later the show s star is seen to break his leg preventing him from performing and in a later scene he breaks his other leg See alsoKnocking on wood Spilling water for luck The Scottish Play ThespisReferencesUrdang Laurence Hunsinger Walter W LaRoche Nancy 1985 Picturesque Expressions A thematic dictionary 2 ed Gale Research p 321 ISBN 0 8103 1606 4 Break a Leg World Wide Words Retrieved 24 April 2007 Break a Leg origin Theidioms com Retrieved 8 October 2018 A Defense of Superstition The Living Age Vol 311 E Littell 1921 p 427 As published in the New Statesman 1 October 1921 Ferber Edna 1939 A Peculiar Treasure Doubleday Doran amp Co p 354 Sobel Bernard 1948 The Theatre Handbook and Digest of Plays Crown Publishers p 722 Cataland Victoria 1955 Live Till Tomorrow United Kingdom Dutton The Corset and Underwear Review 1959 United States Haire Publishing Company Galaxy Magazine Science Fiction Volume 15 1957 United States UPD Publishing Corporation Libby Steve July 1985 It s a superstitious world Of black cats lucky numbers broken mirrors The Rotarian 147 1 30 31 ISSN 0035 838X Peterson Lenka O Connor Dan 2006 Kids Take the Stage Helping Young People Discover the Creative Outlet of Theater 2 ed Random House Digital p 203 ISBN 0 8230 7746 2 Helterbran Valeri R 2008 Exploring Idioms A Critical Thinking Resource for Grades 4 8 Maupin House Publishing p 24 ISBN 978 1 934338 14 8 Dundes Alan 1994 Towards a Metaphorical Reading of Break a Leg A Note on Folklore of the Stage Western Folklore 53 1 85 89 doi 10 2307 1499654 Partridge Eric 2003 A Dictionary of Catch Phrases Ukraine Taylor amp Francis p 56 Ammer Christine 2013 The American Heritage Dictionary of Idioms United States Houghton Mifflin Harcourt p 54 Gerhard Langer in German 2015 Isabella Guanzini in German Kurt Appel in German eds Europa mit oder ohne Religion in German Vol II Vandenhoeck amp Ruprecht p 88 ISBN 9783847005070 Hodgson Charles 2007 Carnal Knowledge A Navel Gazer s Dictionary of Anatomy Etymology and Trivia United States St Martin s Press p 205 Break a leg phrases org uk 2010 Retrieved 29 March 2010 Theatre Superstitions Steppenwolf Theatre Company Archived from the original on 1 October 2006 Retrieved 30 June 2012 Londre F H Fisher J 2017 Historical Dictionary of American Theater Modernism United States Rowman amp Littlefield Publishers p 102 Dart Harris Diana 2016 Beginning Musical Theatre Dance United States Human Kinetics Incorporated p 80 Wilton Dave Break a leg Word Myths Debunking Linguistic Urban Legends Oxford University Press Retrieved 13 April 2011 Tom Dale Keever 18 December 1995 Richard III as rewritten by Colley Cibber Primary Texts and Secondary Sources On line Richard III Society American Branch Archived from the original on 17 March 2013 Retrieved 11 April 2008 Re Break a Leg Phrases org uk Retrieved 24 April 2007 Kauffman Michael W 2004 John Wilkes Booth and the Lincoln Conspiracies American Brutus ISBN 0 375 75974 3 Martin Gary Break a leg Word Phrase Finder Break a leg The Phrase Finder Retrieved 3 October 2018 McConnell Joan McConnell Teena 1977 Ballet as body language Harper amp Row ISBN 0 06 012964 6 The QI Elves No Such Thing As The Ugly Panda No Such Thing as a Fish No 62 Quite Interesting Ltd Retrieved 7 June 2015 permanent dead link Spit Your Way To Safety Toi toi toi Forward Association Inc 11 February 2009 Retrieved 29 March 2010 Word of the Day Jook ג וק A grisly load from Russian Haaretz Haaretz online 18 August 2013 Chookas Archived 8 August 2011 at the Wayback Machine By Colin Peasley manager Education Programme for The Australian Ballet ni puha ni pera Ni puha ni pera Macerena Vintage 2019 The theories and origins of nonsense and tomfoolery in the modern age Journal of Cultural Reference Pg 134 136 External linksLook up break a leg in Wiktionary the free dictionary Break a Leg Glossary of Technical Theatre Terms With many explanations as to the origins of the term Break a Leg and Other Good Wishes by Matthew Alice in the San Diego Reader Break a Leg by Gary Martin phrases org uk 1996 2006 Resource on Ortaoyunu
